Montage of One-Point perspective shots from Kubrick films. The Requiem for a Dream theme is perfect.
I like this comment by James Oliphant: I’ve never heard anyone say not to try for symmetry in your shots, but I was told to be aware of the psychological effect it has on audiences. This little reel is a prime example of how off-putting symmetry can be in motion picture photography. Even in the ones in which there is no immediate danger or horror present. You feel like there’s something wrong in every one of these shots. You can’t put your finger on it, but you know things aren’t quite right.
Montage of One-Point perspective shots from Kubrick films. The Requiem for a Dream theme is perfect.
I like this comment by James Oliphant: I’ve never heard anyone say not to try for symmetry in your shots, but I was told to be aware of the psychological effect it has on audiences. This little reel is a prime example of how off-putting symmetry can be in motion picture photography. Even in the ones in which there is no immediate danger or horror present. You feel like there’s something wrong in every one of these shots. You can’t put your finger on it, but you know things aren’t quite right.
-
flipcookie likes this
-
true-felicity reblogged this from intheperiphery
-
takeafuckingsh0wer likes this
-
andachtzum likes this
-
hana-mei likes this
-
intheperiphery posted this
